{"id":459,"date":"2021-04-22T18:11:32","date_gmt":"2021-04-22T18:11:32","guid":{"rendered":"https:\/\/www.science.smith.edu\/climatelit\/?page_id=459"},"modified":"2023-07-07T19:16:31","modified_gmt":"2023-07-07T19:16:31","slug":"art","status":"publish","type":"page","link":"https:\/\/www.science.smith.edu\/climatelit\/art\/","title":{"rendered":"Art"},"content":{"rendered":"<p><em><span style=\"font-weight: 400\">Abbreviations:<\/span><\/em><\/p>\n<ul>\n<li style=\"font-weight: 400\"><em><span style=\"font-weight: 400\">CE = Common Era<\/span><\/em><\/li>\n<li style=\"font-weight: 400\"><em><span style=\"font-weight: 400\">c. = circa (approximately)<\/span><\/em><\/li>\n<\/ul>\n<h2><span style=\"font-size: 1.28571rem\">Climate-Inspired Art<\/span><\/h2>\n<ul>\n<li>Minoan vs. Classical Greek Paintings<\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/namazu\/\"><span style=\"font-weight: 400\">Namazu (\u9bf0) or \u014cnamazu (\u5927\u9bf0) the Earthshaker<\/span><\/a><\/li>\n<li><em>Winter&nbsp;<\/em>(n.d.) by George O&#8217;Connell<\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/kameyama-clear-weather-after-snow-station-47-from-the-series-fifty-three-stations-of-the-tokaido-1833-by-otagawa-hiroshige\/\"><em>Kameyama: Clear Weather after Snow, Station 47, from the series Fifty-three Stations of the Tokaido&nbsp;<\/em>(1832) by Hiroshige<\/a><\/li>\n<li><em>The Storm is Coming&nbsp;<\/em>(1950) by Antonio Frasconi<\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/warming-stripes\/\">Warming Stripes (2018) by Ed Hawkins<\/a><\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/environmental-graphiti\/\">Environmental Graphiti<\/a><\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/big-weather\/\">Big Weather<\/a><\/li>\n<\/ul>\n<p><strong>The Little Ice Age (c. 1300-1850 CE)<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Representations of <a href=\"https:\/\/www.science.smith.edu\/climatelit\/indigenous-perspectives\/\">Colonialism<\/a> and Climate Change in Art<\/span><\/li>\n<li style=\"font-weight: 400\"><a style=\"color: #0f3647\" href=\"https:\/\/www.science.smith.edu\/climatelit\/lithographs-from-the-alps\/\">Lithographs from the Alps<\/a><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.science.smith.edu\/climatelit\/winter-landscape-paintings-by-dutch-and-english-masters\/\">Winter Landscape Paintings by Dutch and English Masters<\/a><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.science.smith.edu\/climatelit\/washington-crossing-the-delaware-1851-by-emanuel-gottlieb-luetze\/\"><i>Washington Crossing the Delaware<\/i>&nbsp;(1851) by Emanuel Gottlieb Luetze<\/a><\/li>\n<\/ul>\n<p><strong>The Eruption of Mount Tambora (1815-1818 CE)<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/the-year-without-a-summer-project\/\"><em>The Year Without a Summer Project<\/em>&nbsp;(2016) by Courtney Blazon&nbsp;<\/a><\/li>\n<\/ul>\n<p><strong>Modern Climate Change (c. 1980s CE-present)<\/strong><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400\">Waste Isolation Pilot Plant Nuclear Crossroads <\/span><\/i><span style=\"font-weight: 400\">(1989) by Patrick Nagatani&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.science.smith.edu\/climatelit\/feed-lot-1991-by-sue-coe\/\"><i><span style=\"font-weight: 400\">Feed Lot <\/span><\/i><span style=\"font-weight: 400\">(1991) by Sue Coe<\/span><\/a><\/li>\n<li style=\"font-weight: 400\"><i><span style=\"font-weight: 400\">Revival Ramp <\/span><\/i><span style=\"font-weight: 400\">(1996) by Mel Chin<\/span><\/li>\n<li style=\"font-weight: 400\"><i><span style=\"font-weight: 400\">La Tierra no esta Muriendo esta Siendo Asesinada\u2026(The earth is not dying it is being assasinated) <\/span><\/i><span style=\"font-weight: 400\">(2010) by La Escuela de Cultura Popular M\u00e1rtires de 68<\/span><\/li>\n<li style=\"font-weight: 400\">\u00bf<i style=\"font-size: 1rem\">A Quien mataste?&#8230; <\/i><span style=\"font-weight: 400\">(2010) by La Escuela de Cultura Popular M\u00e1rtires de 68<\/span><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.science.smith.edu\/climatelit\/future-under-climate-tyranny-a-4c-warmer-world-2011-by-maggie-puckett\/\"><i>A Future Under Climate Tyranny (A 4\u2103 Warmer World)<\/i>&nbsp;(2011) by Maggie Puckett&nbsp;<\/a><i><\/i><\/li>\n<li style=\"font-weight: 400\"><i><span style=\"font-weight: 400\">Scherzo in Gray &#8211; Falcon and Mouse <\/span><\/i><span style=\"font-weight: 400\">(2018-2020) by T. Klacsmann<\/span><\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/mappings-by-maya-lin\/\"><em>Mappings<\/em> (2022) by Maya Lin<\/a><\/li>\n<\/ul>\n<h2>Climate Themes in Art<\/h2>\n<ul>\n<li><span style=\"font-weight: 400\">Saharan Cave Art Provides Insight into Past Climate<\/span><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.science.smith.edu\/climatelit\/volcanoes-in-art\/\"><span style=\"font-weight: 400\">Volcanoes in Art<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.science.smith.edu\/climatelit\/glaciers-in-art\/\">Glaciers in Art<\/a><\/li>\n<li>Climate Change Murals from Around the World<\/li>\n<\/ul>\n<h2>Selected Resources<\/h2>\n<p><strong>Articles&nbsp;<\/strong><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Bentz, J. \u201cLearning About Climate Change In, With and Through Art.\u201d <\/span><i><span style=\"font-weight: 400\">Climatic Change, <\/span><\/i><span style=\"font-weight: 400\">vol. 162, 2020, pp. 1595-1612. DOI: <a href=\"https:\/\/doi.org\/10.1007\/s10584-020-02804-4\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1007\/s10584-020-02804-4<\/a>.&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Frasz, A. \u201cCan Art Change How We Think About Climate Change?\u201d<\/span><i><span style=\"font-weight: 400\">Grantmakers in the Arts: Supporting Creative America. <\/span><\/i><span style=\"font-weight: 400\">2016. <a href=\"https:\/\/www.giarts.org\/article\/can-art-change-how-we-think-about-climate-change\" target=\"_blank\" rel=\"noopener\">https:\/\/www.giarts.org\/article\/can-art-change-how-we-think-about-climate-change<\/a>.&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Jacobs, T. \u201cHow Art Can Inspire Viewers Toward Climate Action.\u201d <\/span><i><span style=\"font-weight: 400\">Pacific Standard. <\/span><\/i><span style=\"font-weight: 400\">2019. <\/span><a href=\"https:\/\/psmag.com\/environment\/what-makes-activist-art-effective-climate-change\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">https:\/\/psmag.com\/environment\/what-makes-activist-art-effective-climate-change<\/span><\/a><span style=\"font-weight: 400\">.&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Ortiz, D. A. \u201cThe Climate Change Clues Hidden in Art History.\u201d <\/span><i><span style=\"font-weight: 400\">British Broadcasting Company<\/span><\/i><span style=\"font-weight: 400\">. 2020. <\/span><a href=\"https:\/\/www.bbc.com\/culture\/article\/20200528-the-climate-change-clues-hidden-in-art-history\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">https:\/\/www.bbc.com\/culture\/article\/20200528-the-climate-change-clues-hidden-in-art-history<\/span><\/a><span style=\"font-weight: 400\">.&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Roosen, L. J., et al. \u201cVisual art as a way to communicate climate change: a psychological perspective on climate change\u2013related art.\u201d <\/span><i><span style=\"font-weight: 400\">World Art<\/span><\/i><span style=\"font-weight: 400\">, vol. 8, no. 1, 2018. DOI: <\/span><a href=\"https:\/\/doi.org\/10.1080\/21500894.2017.1375002\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.1080\/21500894.2017.1375002<\/span><\/a><span style=\"font-weight: 400\">.&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Smith, W. F. \u201cClimate Change Has Already Transformed Everything About Contemporary Art.\u201d <\/span><i><span style=\"font-weight: 400\">Art in America. <\/span><\/i><span style=\"font-weight: 400\">2020.&nbsp; <\/span><a href=\"https:\/\/www.artnews.com\/art-in-america\/features\/climate-change-contemporary-art-1202685626\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">https:\/\/www.artnews.com\/art-in-america\/features\/climate-change-contemporary-art-1202685626\/<\/span><\/a><span style=\"font-weight: 400\">.&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Sommer, L. K. and Kl\u00f6ckner, C. A. \u201cDoes activist art have the capacity to raise awareness in audiences?\u2014A study on climate change art at the ArtCOP21 event in Paris.\u201d <\/span><i><span style=\"font-weight: 400\">Psychology of Aesthetics, Creativity and the Arts, <\/span><\/i><span style=\"font-weight: 400\">vol. 15, no. 1, 2021, pp. 60-75. DOI: <\/span><a href=\"https:\/\/psycnet.apa.org\/doi\/10.1037\/aca0000247\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.1037\/aca0000247<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/li>\n<\/ul>\n<p><strong>Artists<\/strong><\/p>\n<ul>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.charlotteallingham.com\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Charlotte Allingham<\/span><b>&nbsp;<\/b><\/a><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.tyanaarviso.com\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Tyana Arviso<\/span><\/a><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/melchin.org\/\" target=\"_blank\" rel=\"noopener\">Mel Chin<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"http:\/\/www.artnet.com\/artists\/mark-dion\/\" target=\"_blank\" rel=\"noopener\">Mark Dion<\/a><\/span><\/li>\n<li><span style=\"font-weight: 400\">Bunky Echo-Hawk<\/span><\/li>\n<li><a href=\"https:\/\/journeysofdrg.org\/tag\/sciquilt\/\">Laura Guertin<\/a><\/li>\n<li><a href=\"http:\/\/www.aliciasiu.com\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Alicia Maria Siu<\/span><\/a><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/theharrisonstudio.net\/\" target=\"_blank\" rel=\"noopener\">Helen Mayer Harrison and Newton Harrison<\/a><\/span><\/li>\n<li><a href=\"https:\/\/www.gregkahn.com\/\">Greg Kahn<\/a><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/www.evemosher.com\/\" target=\"_blank\" rel=\"noopener\">Eve Mosher<\/a><\/span><\/li>\n<li><a href=\"https:\/\/www.processjmus.org\/ella-rosenblatt-neri-oxman-and-the-anthropocene\" target=\"_blank\" rel=\"noopener\">Neri Oxman<\/a><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/www.jillpelto.com\/#intro\" target=\"_blank\" rel=\"noopener\">Jill Pelto<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"http:\/\/alexisrockman.net\/\" target=\"_blank\" rel=\"noopener\">Alexis Rockman<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"http:\/\/tejalshah.in\/home\/\" target=\"_blank\" rel=\"noopener\">Tejal Shah<\/a><\/span><\/li>\n<li><a href=\"https:\/\/www.michaelosnyder.com\/\">Michael Snyder<\/a><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/www.science.smith.edu\/climatelit\/redo\/\" target=\"_blank\" rel=\"noopener\">James Temte<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">Marcus Trujillo<\/span><\/li>\n<li><a href=\"https:\/\/www.karenromanoyoung.com\/bio\">Karen Romano Young<\/a><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.nytimes.com\/2018\/08\/22\/t-magazine\/climate-change-art.html\" target=\"_blank\" rel=\"noopener\">12 Artists on Climate Change (<i style=\"font-size: 1rem\">The New York Times)<\/i><\/a><\/li>\n<\/ul>\n<p><strong>Projects<\/strong><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/theartling.com\/en\/artzine\/art-highlights-climate-change\/\" target=\"_blank\" rel=\"noopener\">Art That Highlights Climate Change<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/campusarts.psu.edu\/projects\/abington\/\" target=\"_blank\" rel=\"noopener\">Data Decision Trees<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"http:\/\/www.dearclimate.net\/\" target=\"_blank\" rel=\"noopener\">Dear Climate<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"http:\/\/www.carolinaaragon.com\/#\/futureshoreline\/\" target=\"_blank\" rel=\"noopener\">Future SHORELINE<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/massmoca.org\/event\/blane-de-st-croix-how-to-move-a-landscape\/\" target=\"_blank\" rel=\"noopener\">How to Move a Landscape<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/insidethegreenhouse.org\/\" target=\"_blank\" rel=\"noopener\">Inside the Greenhouse: Climate Change Communication Through Theatre, Film, Fine Art, Performance Art and Television Programming<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/www.ouroborosprojects.org\/about\" target=\"_blank\" rel=\"noopener\">Ouroboros Project<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"https:\/\/www.ouroborosprojects.org\/about\" target=\"_blank\" rel=\"noopener\">Resilience in the Age of Climate Change<\/a><\/span><\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/harvardforest.fas.harvard.edu\/warming-warning\" target=\"_blank\" rel=\"noopener\">Warming Warning<\/a><\/li>\n<\/ul>\n<p><strong>Teaching Resources<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/climatechangeeducation.org\/art\/visual_arts\/index.html\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Climate Change Education .Org: Visual Arts<\/span><\/a><\/li>\n<\/ul>\n<p><strong>Websites<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/artistsandclimatechange.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Artists and Climate Change: Building Earth Connections<\/span><\/a><\/li>\n<li><a href=\"https:\/\/environmentalart.net\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Environmental Art .Net<\/span><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Abbreviations: CE = Common Era c. = circa (approximately) Climate-Inspired Art Minoan vs. Classical Greek Paintings Namazu (\u9bf0) or \u014cnamazu (\u5927\u9bf0) the Earthshaker Winter&nbsp;(n.d.) by George O&#8217;Connell Kameyama: Clear Weather [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-459","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Art - Climate in Arts and History<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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